By the time the song ended, the dust from the dance floor hadn't even settled. Cemal realized that music didn't need to be "old" or "new" to be good—it just needed to make people move.

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The village square in Polatlı was quiet until Cemal reached for his phone. It was his daughter’s wedding, and the "official" orchestra was taking a break. The older generation wanted traditional folk songs; the younger cousins wanted modern pop.