Come And See (idi — I Smotri)

: Klimov uses frequent close-ups where characters stare directly into the lens.

: Despite his trauma, Flyora cannot bring himself to shoot the image of Hitler as a baby. Come and See (Idi i smotri)

: The soundscape often blends diegetic noise with an oppressive, industrial score. Moral Complexity and the "Anti-War" Message : Klimov uses frequent close-ups where characters stare

: He begins as a youthful boy and ends with the face of an old man. Come and See (Idi i smotri)

(high school, film school, or casual analysis?)

: Flyora doesn’t just witness atrocities; he is spiritually hollowed by them. Sound and Surrealism