Joe discovers why nothing grows. He tries to explain water to a board of corporate executives who are physically incapable of understanding a liquid that doesn't have electrolytes.
Joe goes to a hospital. Unlike the movie’s brief scene, the pilot explores the "St. God's Memorial Hospital" in detail—where vending machines perform surgery and doctors use emojis to diagnose "being a tard."
The aesthetic is Bright, neon, saturated colors from advertisements clashing against mountains of gray trash and crumbling infrastructure. The camera work should be frantic and over-stimulated, mimicking the short attention spans of the populace.
Joe discovers why nothing grows. He tries to explain water to a board of corporate executives who are physically incapable of understanding a liquid that doesn't have electrolytes.
Joe goes to a hospital. Unlike the movie’s brief scene, the pilot explores the "St. God's Memorial Hospital" in detail—where vending machines perform surgery and doctors use emojis to diagnose "being a tard."
The aesthetic is Bright, neon, saturated colors from advertisements clashing against mountains of gray trash and crumbling infrastructure. The camera work should be frantic and over-stimulated, mimicking the short attention spans of the populace.
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