These characters are not merely archetypes; they are "misfits" operating on the fringes of society. The script uses the concept of the "Celtic soul" as both a punchline and a point of existential tension, highlighting the gap between the characters' internal desires and their often-violent external realities. Structure and Tone
Intermission is characterized by its "snappy action" and a "decents sharp script" that balances humor with genuine darkness. The narrative structure is intentionally fragmented, mirroring the fractured lives of its protagonists. Notable sequences, such as an "amusingly soundtracked car chase," provide bursts of energy that punctuate a backdrop of "discouragingly drab" Dublin streets. Intermission (2003)
Six of the best: Irish films (or: post-colonial homesick blues) These characters are not merely archetypes; they are
These characters are not merely archetypes; they are "misfits" operating on the fringes of society. The script uses the concept of the "Celtic soul" as both a punchline and a point of existential tension, highlighting the gap between the characters' internal desires and their often-violent external realities. Structure and Tone
Intermission is characterized by its "snappy action" and a "decents sharp script" that balances humor with genuine darkness. The narrative structure is intentionally fragmented, mirroring the fractured lives of its protagonists. Notable sequences, such as an "amusingly soundtracked car chase," provide bursts of energy that punctuate a backdrop of "discouragingly drab" Dublin streets.
Six of the best: Irish films (or: post-colonial homesick blues)