Janlundgren.innewyork.zip

Here is a feature-style look at the 2005 sessions that defined his "New York" sound. The Session: Nola’s Penthouse, 2005

Johfu requested the inclusion of "Autumn in New York," "Cherokee," and "The Gypsy".

The tracklist was a blend of Lundgren’s personal favorites and selections from producer Mitsuo Johfu. It served as a bridge between the American Songbook and Lundgren’s sophisticated European sensibilities. janlundgren.innewyork.zip

Lundgren was joined by two of the most disciplined and respected "engine room" players in modern jazz: (bass) and Kenny Washington (drums). Together, they recorded In New York for the independent Japanese label Marshmallow Records . A Masterclass in Standards and Originals

The 2005 In New York album is part of a broader series of nine trio albums Lundgren recorded for Marshmallow throughout the 2000s and 2010s. For years, the album was a rare find, largely out of print until its recent reissue on streaming platforms like Spotify and YouTube . Legacy of a Scandinavian Pioneer Here is a feature-style look at the 2005

Lundgren is often described as a pioneer who melds the bebop tradition with the melodic "coolness" of his Swedish roots. Critics noted that these sessions captured a "supergroup" energy—Lundgren’s ability to create space and maintain a melodic core even while navigating complex, pulsating grooves.

Lundgren rounded out the session with heavy-hitting standards like Benny Golson’s "Stablemates," John Coltrane’s "Straight Street," and Wayne Shorter’s "This Is for Albert". The Sound: "The Great European Songbook" It served as a bridge between the American

Lundgren’s relationship with New York began much earlier than 2005. In 2000, he became the to perform at Carnegie Hall during the "Swedish Jazz Salutes the USA" concert. This legacy of bridging two continents continues today through his leadership of the Ystad Sweden Jazz Festival and his ongoing work with the Mare Nostrum trio .