She walked onto the set of The Glass Ceiling , a high-stakes political thriller. Her director, Marcus, was twenty-four and looked like he lived on espresso and audacity.
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At fifty-eight, Evelyn Vance was staring down the barrel of a "Grandmother" role—the kind where the character’s only personality trait was baking cookies or looking worriedly at a protagonist half her age. Her agent, a man who still spoke in the frantic staccato of the 90s, had called it a "lovely transition piece." Evelyn called it a funeral for her ambition. She walked onto the set of The Glass